
I’m in the middle of working on a 60-page children’s comic (page twenty of layouts/pencils), but a question popped into my head while I was working on this: Why do I always prefer to work in the vertical? It feels right to me, but why?
A lot of people argue that we see the world in horizontal, but I disagree. Take a good look around you. Focus on anything in the room. What do you see? Do you notice the objects on the peripheral (horizontal) of your vision, or do you focus in a line straight up and down, the vertical of your vision?
There’s a trick I’ve been doing for years now because of my bike riding where if I’m about to cross a street, I unfocus my eyes slightly, the better to see motion to either sides of me. Because have you ever noticed that when you focus, everything in the peripheral disappears? Not literally, but your brain just doesn’t quite record?
Well, at least, that’s how it is for me.
So how does this coordinate with comics? There’s been a lot of argument over the years about which is a “better” format: the horizontal or the vertical? Personally, I think both have their strengths and weaknesses, but one of the arguments I’ve heard for horizontal layout (indeed, even for having horizontal computer screens) is the previous supposition that human vision is horizontal, not vertical. So, I call bullsh*t. We FOCUS vertical. But we take in settings and see motion horizontal. Maybe that’s why the two-page spread works for things like establishing setting–where there’s no particular focus, but rather a mood and a theme–but not so much for things like kisses.
Plus, PEOPLE are vertical. I find it rather difficult to squish a whole person beneath a narrow ceiling and floor when narrow walls work better instead. Even the human face is vertical.
Anyway … just thoughts running through my head while I work. Pretty dang happy with this project right now. I’m going to finish it mid January. That’s not an “I hope”. It’s an “You have no choice, Rivkah, so you better seat your freakin’ ass at your desk and WORK.”

So back to work. Tomorrow, I’m going to a Paul Pope exhibit because I’m in freakin’ NEW YORK and because I CAN. And because he’s one of the best things that’s ever happened to comics. Other than Craig Thompson. And my boyfriend, Matt Bernier, whom not many people have heard of yet but they freakin’ WILL.
PS: IT SNOWED!








